Black women continue to shape culture and drive trends, but questions remain about who truly benefits from their influence. Credit: ChatGPT

Black women have always been the blueprint. Long before a look is labeled “trendy,” hits the high-fashion runways, or gets rebranded by a major corporation, it lived with us first. 

Our style, our slang, and our rhythm have always been the quiet architects of what the world eventually calls “cool.” But while our influence is undeniable, our ownership is still up for debate—and that is the tension we don’t talk about enough.

We are visible everywhere; on screens, in campaigns, and across every timeline—but visibility is not the same as power. It doesn’t automatically translate into equity, ownership, or wealth; too often, it simply makes us easier to copy.

From inspiration to exploitation

Before Olympian Ilia Malinin “made history” with a backflip, Surya Bonaly — a Black Olympic figure skater — risked everything performing the same move in 1998. Credit: Getty Images

From viral dance trends to beauty innovations to Olympic moves, Black women consistently move the needle of culture. Yet, once those ideas leave our hands, they are frequently repackaged and resold without credit, compensation, or control. We’ve seen the cycle play out a thousand times: A Black creator posts a look that gains traction, only for it to suddenly appear on influencers who didn’t originate it and on brands that didn’t invest in it. While the platforms profit, the actual originator is buried beneath the algorithm, watching their own creation generate revenue for everyone but them.

That’s not influence—it’s exploitation.

And it’s not just happening online. The beauty industry tells a larger story of how Black women built solutions out of necessity when the mainstream market ignored us. But the moment those solutions proved profitable, larger companies stepped in to scale and dominate the space, often pushing out the very innovators who created the demand in the first place. Whether it’s fashion, entertainment, or language, our aesthetics are mined, and our identities are used as marketing tools, all while we’re expected to be grateful for “representation” that never actually reaches our bank accounts.

In 2017, actress Alyssa Milano encouraged those who had experienced sexual abuse to write ‘me too’ on Twitter. Milano tweeted the #metoo hashtag without citing Tarana Burke, the Black woman who created the Me Too campaign. On social media, many users felt that Burke was being erased from her own movement.
Credit: Getty Images

Reclaiming the currency of culture

We have to ask: Who is really benefiting from the business of Black womanhood? Because make no mistake—it is a business.

Black women aren’t just participants in culture; we are the drivers of it. Our collective spending power is in the hundreds of billions, yet if we aren’t positioned as owners and stakeholders, we remain at the bottom of an economy we helped build. That’s the ultimate disconnect:

  • We are trending, but not always profiting.
  • We are seen, but not always supported.
  • We are centered in the conversation, but absent from the contracts.

Ownership is about more than just a “shoutout.” It’s about being compensated, having a seat at the decision-making table, and possessing the power to walk away and build our own table if necessary. It requires us to protect our intellectual property and shift how we show up for one another.

Moving beyond the moment

Supporting Black women can’t stop at a “like” or a share. It has to extend to where we spend our money, who we partner with, and how we demand transparency from brands that profit from our presence. If our culture is currency, we should be the ones controlling the exchange.

This isn’t about gatekeeping; it’s about accountability. Black womanhood is not a trend, an aesthetic, or a marketing strategy—it is a lived experience that has been historically undervalued even as it is endlessly consumed.

We deserve more than just being seen. We deserve protection, we deserve equity, and we deserve to be the primary beneficiaries of the wealth we create. Anything less isn’t progress—it’s just a more polished version of the same old story. And quite frankly? We’ve outgrown it.

I’m a Houstonian (by way of Smackover, Arkansas). My most important job is being a wife to my amazing husband, mother to my three children, and daughter to my loving mother. I am the National Bestselling...